When hearing the name Schumann, many will first think of Robert. But what about the other Schumann whose music can transport us just as much? In Clara, we get to know the woman who tried to pursue her prolific music career after marrying Robert Schumann and despite getting increasingly lost behind her husband’s shadow – and name.
Elena Mazzon presents her one-woman show which has just premiered in London at From the Forest Festival. In the play, she plays Clara Schumann (1819-1896) who is preparing for a date with Johannes Brahms while sharing her memories about what led her to this date in the first place.
She married Robert right before her 21st birthday against her father’s will, who would have preferred her to become an independent musician. This relationship between father and daughter is described movingly by Mazzon, certainly touching soft spots of many in the audience. In addition, one can’t help but note the importance of putting a woman in the spotlight who had to fight to be respected by the many men in her field, starting with her husband who gave her ultimatums and worried about being overshadowed by his wife’s talent.
Directed by Catriona Kerridge, Mazzon supports her speech with piano music, composed either by Clara herself, Robert or Brahms. It is amusing to notice how when she leans on her piano, Clara feels secure. However, as soon as she walks away from her piano, she starts panicking, losing some her control. Music was everything for Clara, and always in first place, even in front of her many children.
This is a show that I hope will tour the world, giving a new voice to this maestro who herself visited and graced many cities with her music in the Romantic era. I also hope that with time it will contain even more played piano, as it adds such a beautiful element to the play. Stay tuned by following https://www.elenamazzon.com/clara-a-show-for-an-actress-and-a-piano/